june | artist...

Gita Blakeney-Saltus

Q & A with Scott Hill

What age were you when you started singing?

I was a bit of a late bloomer. I sang in the Choir
when I was young, dabbled in musical theatre while at the Berkeley Institute and thereafter was in a Madrigal group at Gould Academy. My thirst for musical expression truly began in my twenties, and I approached it with dedicated passion and purpose.

Have you been educated in the music (arts) arena? If so, elaborate.

I have had various forms of vocal training over the years, most of which have been classical. I am always seeking new and creative forms of artistic and professional development. I will continue vocal tutelage, for as long as there remains a song in my heart. My voice is my instrument and it must be cultivated with care and attention.

Why jazz? What inspires you and why?

Jazz music as well as classical and gospel, permeated my household throughout my life. My father has very eclectic tastes in music, and
exposed me and my sister Gina to various genres, which undoubtedly was the genesis of my love for music. I have always had an affinity for Jazz, both
melodically, and moreover lyrically. My mother really defined me through my name “Gita”, which is Hindi, and means “song”. She always fed my voracious appetite for books, hence I find that the simplistic beauty of words and having the opportunity to interpret and stylize a song is beautiful gift for a vocalist. My inspiration is drawn first and foremost from a place of spirituality, and through the joys and the challenges of my life. The essence of my life is “giving” of my heart and soul. The support of my loved ones, especially my husband Gary, and my family is always a source of tremendous strength and encouragement. I now watch my niece Leah and nephew P.J. play violin. Now that is inspiring!!

What was it like when you brought out your first CD? How many CD’s do you have now?

It was exhilarating and humbling all in the same breath. I have two major CD projects: “My Favourite Things” and “Angel Eyes”. I am also featured on “Inside my Mind”, by Vic Glazer, and “Christmas in Bermuda”, by Lynda Lovett. My projects have been acts of birth, and are like my “babies.”

How did your jazz evenings begin at the BNG?

Jazz with Gita. As the Director of Development of the Bemuda National Gallery, my role is that of building relationships and partnerships that will Regarding the present Biennial exhibition; the general consensus is that this year’s exhibition is the best yet! Having been involved in the Biennial since its beginning and then, within the last few days, having reviewed all the catalogues from about 1996, I concur with that opinion, for this Biennial reflects the local art scene, which is increasingly diverse, exploratory, experimental and involved with social and political issues. Bermuda’s artists are increasingly art school trained and engaged with contemporary technological developments. This years Biennial is a ‘must see’ show, for any one interested in current Bermuda culture.